In A->B, the live electronics became more like an augmentation of my playing, upon which I could have a more dynamic dialogue with.…
Here, I improvised with my live-generated electronic sounds and visuals alongside fixed media that framed the whole work. The distribution of fixed electronic elements vs. live was approximately 50/50. Control.…
A->B. , I created. diaphragma. with primarily live-generated elements, and the framework was not constrained to any fixed length. I took this piece as a chance to completely rethink my paradigm of the improvisation machine.…
>live coding. live coding. intercontinental laptop performance. Two performers, two computers, two continents, one concert. In ensemble. Null-state. (duo, melo + Benjamin D.…
Live Audio Setup with Wireless Controllers. . and it could get this complicated (black box fading setup): Basic Amplification Tips. - microphone at distance and at an angle. - check levels (quiet: -22 to -16dB, medium: -16 to -8dB, medium-high: -8 to -4dB,…
> Reflection on machine agency, extended mind vs. separate improvisation entity, instrument vs. improvisation. partner, and impacts on my performance practice (primarily through the lens of sonic behavior and interaction. design). >. black box fading. : chua.ch…
> Creation of Chaosflöte as a starting point for interfacing with live electronics in improvised performance and. developing my initial relationships with machines in this context. > Developed an artistic practice of coding/performing with live visuals and…
These computers were present on the set for the filming, but removed from the set for the live event. (above) the handouts for each of the participants (each handout features the QR code on the front and one of the three quotes on the back).…
Autopia: An AI collaborator for gamified live coding music performances. 2019 AISB Convention. Lösel, G. (2018). Can Robots Improvise? Liminalities, 14(1), 185. https://doi.org/10.5281/zenodo.3469861. Nass, C. & Moon, Y. (2000).…
Autopia: An AI collaborator for gamified live coding music performances. 2019 AISB Convention. Lösel, G. (2018). Can Robots Improvise? Liminalities, 14(1), 185. https://doi.org/10.5281/zenodo.3469861. Nass, C. & Moon, Y. (2000).…